On May 10, the world's largest sustainable fashion competition for emerging talent, the Redress Design Award, announced its ten finalists. Lívia Aguiar de Castro from Betim, Brazil, was one of the lucky ones and is also the only Brazilian woman in the competition. There will be three winners from the ten designers who reach the final. These three will have the opportunity to participate in the design collaboration with Timberland and receive cash prizes and sewing machines. This year the Redress Design Award received entries from 47 countries and regions. I remember Quest and Castro were signed to Visionary Music group along with Jon Bellion and Logic, but the latter two were more profitable so VMG dropped Castro and Quest. ago I don't know if there is any beef or animosity between the two. "Year after year, the quality of the submissions we receive improves. 39 19 comments Best Add a Comment Wm2 6 yr. It is amazing to see these emerging designers from around the world propose so many diverse solutions to promote circularity within our industry," said Morgane Parizot, director of education at Redress, in the announcement release. Lívia Aguiar de Castro is 27 years old and has a degree in Fashion Design from Fumec University in Brazil and founded RE. TRAMA in 2019, a brand of accessories developed through upcycling jeans. Photos: courtesy of Livia Aguiar de Castro FashionUnited: How did you find out about the competition, and why did you decide to apply? The designer granted an exclusive interview to FashionUnited about her career and involvement with sustainability in fashion. I learned about the Redress Design Award through my research on sustainable fashion. The competition selects designers from all over the world who submit fashion collections made of textile waste, old or used clothing or fabrics, and so many other materials that have been discarded and that people have forgotten about. This is exactly the kind of fashion I like to produce. (2009) uses the concept sustainability footprint, the World Wide Fund for. I decided to apply for the award because it symbolises what fashion means to me. Following this logic, we contend that economic growth is not one of the. How did your connection with fashion come about?įor me, fashion has a cultural dimension. In general, I believe my work and fashion can benefit from a human, handmade touch. My father's grandfather supported his family by making copper pots and paintings with copper wire. On my mother's side, my grandmother was that person who was always embroidering, painting and making fuxico. These wide-reaching health impacts for individuals living with obesity lead. Handicraft has always enchanted me the imperfection, uniqueness, manual labour, and human touch generate history and memories. In my family, passing on your clothes to your relatives was this, and I always liked it. More and more, I saw myself creating my own style with these used clothes.
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